Abstracts

 

Michael Kubovy & Lars Strother
This chapter is devoted to empirical and theoretical studies of grouping, similarity, pointing, and orientation effects. In the first section we summarize recent research on grouping by proximity and on grouping by similarity. We show that both grouping by proximity and by the joint effects of proximity and similarity on proximity can be modeled with simple models that have few of the characteristics that one might expect of Gestalt phenomena. In the second section we (a) review the literature on the relation between grouping by proximity and pointing, and we (b) review our research from which we conclude that these two processes show some interesting parallels. The third section is about phenomenological psychophysics. Because the observers’ responses in many of our experiments are based on phenomenal experiences, which are still in bad repute among psychologists, we conclude the chapter with an explication of the roots of such sceptical views, and show that they have limited validity.

 

Don Hoffman

Inverting a face impairs perception of its features and recognition of its identity. Whether faces are special in this regard is a current topic of research and debate. Kanizsa studied the role of facial features and environmental context on perception of the emotion and identity of upright and inverted faces. He found that observers are biased to interpret faces in a retinal coordinate frame, and that this bias is readily overruled by increased realism of facial features, but not easily overruled by environmental context. An additional factor contributing to a retinal coordinate frame interpretation may be the ambiguous nature of the face stimuli. Since the expressions are interpretable both upright and inverted, this may activate endogenous attention process for faces. We present visual search and change-blindness experiments which explore how inversion, negation, and facial emotion affect visual attention to static faces. We find that attention to faces is impaired by inversion and negation. We also find that the parts of the face which receive greater attention can be influenced by the emotional expression of the face. We propose to extend these experiments to dynamic faces. To this end, we develop a theory of the visual representation of dynamic faces, in which faces are represented by classes of "spacetime fragments"--moving regions of the face with high informational content. We then present ideas for several future experiments which are motivated by the spacetime fragment theory, and which should serve to constrain its further development.

 

Kaoro Noguchi
Experimental phenomenology demonstrates that perception is much richer than the stimulus; as is seen in color perception, one and the same stimulus provides several modes of appearance or perceptual dimensions. Similarly, there are several dimensions in form perception. Even a simple geometrical line figure inducing visual illusion gives not only perceptual impressions of size, shape, slant and orientation, but also affective or aesthetic impressions. In our previous studies (Noguchi & Rentschler, 1999; Noguchi, 2001), participants made both psychophysical and aesthetic judgments for the same simple line figures, which produced geometrical illusions. For all the geometrical illusion figures studied, we found a close correlation between psychophysical judgments of size and aesthetic judgments: a strong aesthetic preference was observed with a strong effect of illusion, and weak preference with weak illusion. The present study was designed to examine how aesthetic preference was influenced by stimulus factors determining visual illusions in a broad sense including subjective contour and apparent transparency as well as geometrical illusions. Along with line figures of geometrical illusions, illusory figures of Kanizsas subjective contours and modified shapes producing apparent transparency/neon color spreading effect were used as test patterns. The participants in the experiments on geometrical illusions were asked to match the perceived size of a test area with one of graded series stimuli. On the other hand, the participants in the experiments on illusory contours and transparency were asked to make judgments of clarity of subjective contour and transparency and to rate the degree of aesthetic preference for the same test pattern. The results indicated that, as in the previous studies, both of geometrical illusions and aesthetic preferences changed similarly as a function of stimulus variables such as the number of filled lines and the size ratio of the inner and outer figural components. Also, following specific stimulus variables such as lightness contrast ratios and spatial intervals between inducing figural elements (the so-called packmen), strong aesthetic preferences were accompanied with strong effects of subjective contour and transparency. It seems that the paradigm to investigate aesthetic phenomena along with perceptual-cognitive dimensions is useful to bridge the gap between psychophysics and empirical aesthetics. In conclusion, the importance of experimental phenomenology in both research areas is discussed in line with Neo-Gestalt approach.

 

Giovanni Bruno Vicario
The point of view of Kanizsa about simultaneous masking in visual field is expounded, making reference to two papers of him (1982, 1991). The theoretical approach to the phenomenon is especially discussed. The tentative conclusion is that the common definition of masking is somewhat misleading, and that at least the sort of masking at issue is not a perceptual fact, but a cognitive one.

 

Mario Zanforlin

Collinearity or correspondence between the contours of the inducing figure to allow ‘contour continuation’ or ‘figure completion were, according to G. Kanzsa, the necessary conditions for producing anomalous surfaces or contours. Since Kanizsa’s early work various hypotheses have been advanced to explain the phenomenon, but very few examples of anomalous contours that do not satisfy the above conditions have been reported.

Some years ago it was reported ( Zanforlin and Vallortigara, 1990) that when two small white discs (1 cm in diamter) are set on a larger black disc in slow rotation, the two discs, after some observation time, will appear as the extremities of a rigid cylinder displaced in depth. The surface of the cylinder, under dim illumination, appears as a whitish transparent surface.

However, when the two discs are substituted by a circle and a semi-circle ( as: C O ) of the same size, a clear anomalous contour appears to form the cylinder, even under clear light conditions and when the colours are reversed; i.e. black circles on white disc. The anomalous contours are not apparent when the configuration is stationary. At that time the two extremities of the semi-circle were interpreted as a “tendency” to complete the circle, so that, although mimimal, the conditions for an anomalous surface were present. I will now demonstrate how the anomalous contours of a stereokinetic cylinder can be obtained even without the “interruption” of the lines in the semicircle.

The relationship between the anomalous contours of the stereokinetic cylinder and the vitreous transparency of the surface of the cylinder formed by the two small discs above mentioned, will be discussesd as well as their relation to the general theories of anomalous surfaces.

[References: Zanforlin, M. Vallortigara, G. (1990) The magic wand: a new stereokinetic anomalous surface, Perception, 19: 447-457.]

 

Alf Zimmer

The concept of invariants has been central for Gestalt psychology as well as for Gibson's Ecological Psychology. Theoretical discussions about the role invariants play in perception have been hamperd by different interpretetations of the concept (see Cutting 1979).

Starting form the notion that visual perception is always dependent on the interaction of object and position perception, I show that the ambiguity of Praegnanz (Kanisza & Luccio) mirrors exactly these complementary aspects of perception and makes necessary a conception of invariance which is topological, however, with geometrical constraints.

 

Arturo Carsetti

At the level of cognitive studies, it appears necessary now to extend the conditions of predicative activity, as defined by Quine, by admitting the necessary utilization of certain abstract concepts in addition to the merely combinatorial concepts referring to symbols. For this purpose we must count as abstract those concepts that do not comprise properties and relations of concrete objects (the inspectable evidence) but which are concerned with thought constructions and, in general, with the articulation of the intellectual tools of invention and control proper to the human mind.

The utilization, at the semantic level, of abstract concepts, the possibility of referring to the sense of symbols and not only to their combinatorial properties, the possibility of picking up the deep information existing in things, the extended use of functional models within a dynamic context characterized by the presence of precise forms of co-evolution, open up new horizons at the level of cognitive studies.

In the thirties Goedel suggested that mental procedures might extend beyond mechanical procedures because there may be finite, non-mechanical procedures that make use of the meaning of the terms. He spoke about "the beginnings of a science which claims to possess a systematic method for such clarification of meaning, and that is the phenomenology founded by Husserl" . With respect to  cognitive science ,Goedel's suggestions constitute now a precise guideline for the advancement of research.