|
| |
| Abstracts
|
|
| Michael Kubovy & Lars Strother |
|
This chapter is devoted to empirical
and theoretical studies of grouping, similarity, pointing,
and orientation effects. In the first section we summarize
recent research on grouping by proximity and on grouping by
similarity. We show that both grouping by proximity and by
the joint effects of proximity and similarity on proximity
can be modeled with simple models that have few of the
characteristics that one might expect of Gestalt phenomena.
In the second section we (a) review the literature on the
relation between grouping by proximity and pointing, and we
(b) review our research from which we conclude that these
two processes show some interesting parallels. The third
section is about phenomenological psychophysics. Because the
observers’ responses in many of our experiments are based
on phenomenal experiences, which are still in bad repute
among psychologists, we conclude the chapter with an
explication of the roots of such sceptical views, and show
that they have limited validity.
|
| Don Hoffman |
|
Inverting a face impairs perception of its features and
recognition of its identity. Whether faces are special in
this regard is a current topic of research and debate.
Kanizsa studied the role of facial features and
environmental context on perception of the emotion and
identity of upright and inverted faces. He found that
observers are biased to interpret faces in a retinal
coordinate frame, and that this bias is readily overruled by
increased realism of facial features, but not easily
overruled by environmental context. An additional factor
contributing to a retinal coordinate frame interpretation
may be the ambiguous nature of the face stimuli. Since the
expressions are interpretable both upright and inverted,
this may activate endogenous attention process for faces. We
present visual search and change-blindness experiments which
explore how inversion, negation, and facial emotion affect
visual attention to static faces. We find that attention to
faces is impaired by inversion and negation. We also find
that the parts of the face which receive greater attention
can be influenced by the emotional expression of the face.
We propose to extend these experiments to dynamic faces. To
this end, we develop a theory of the visual representation
of dynamic faces, in which faces are represented by classes
of "spacetime fragments"--moving regions of the
face with high informational content. We then present ideas
for several future experiments which are motivated by the
spacetime fragment theory, and which should serve to
constrain its further development.
|
| Kaoro
Noguchi |
|
Experimental
phenomenology demonstrates that perception is much richer
than the stimulus; as is seen in color perception, one and
the same stimulus provides several modes of appearance or
perceptual dimensions. Similarly, there are several
dimensions in form perception. Even a simple geometrical
line figure inducing visual illusion gives not only
perceptual impressions of size, shape, slant and orientation,
but also affective or aesthetic impressions. In our previous
studies (Noguchi & Rentschler, 1999; Noguchi, 2001),
participants made both psychophysical and aesthetic
judgments for the same simple line figures, which produced
geometrical illusions. For all the geometrical illusion
figures studied, we found a close correlation between
psychophysical judgments of size and aesthetic judgments: a
strong aesthetic preference was observed with a strong
effect of illusion, and weak preference with weak illusion.
The present study was designed to examine how aesthetic
preference was influenced by stimulus factors determining
visual illusions in a broad sense including subjective
contour and apparent transparency as well as geometrical
illusions. Along with line figures of geometrical illusions,
illusory figures of Kanizsa’s subjective contours and modified shapes producing
apparent transparency/neon color spreading effect were used
as test patterns. The participants in the experiments on
geometrical illusions were asked to match the perceived size
of a test area with one of graded series stimuli. On the
other hand, the participants in the experiments on illusory
contours and transparency were asked to make judgments of
clarity of subjective contour and transparency and to rate
the degree of aesthetic preference for the same test
pattern. The results indicated that, as in the previous
studies, both of geometrical illusions and aesthetic
preferences changed similarly as a function of stimulus
variables such as the number of filled lines and the size
ratio of the inner and outer figural components. Also,
following specific stimulus variables such as lightness
contrast ratios and spatial intervals between inducing
figural elements (the so-called “packmen”), strong aesthetic preferences were accompanied with strong effects of
subjective contour and transparency. It seems that the
paradigm to investigate aesthetic phenomena along with
perceptual-cognitive dimensions is useful to bridge the gap
between psychophysics and empirical aesthetics. In
conclusion, the importance of experimental phenomenology in
both research areas is discussed in line with Neo-Gestalt
approach.
|
| Giovanni
Bruno Vicario |
|
The point of view of Kanizsa about
simultaneous masking in visual field is expounded, making
reference to two papers of him (1982, 1991). The theoretical
approach to the phenomenon is especially discussed. The
tentative conclusion is that the common definition of
masking is somewhat misleading, and that at least the sort
of masking at issue is not a perceptual fact, but a
cognitive one.
|
| Mario Zanforlin |
|
Collinearity or
correspondence between the contours of the inducing figure
to allow ‘contour continuation’ or ‘figure completion
were, according to G. Kanzsa, the necessary conditions for
producing anomalous surfaces or contours. Since Kanizsa’s
early work various hypotheses have been advanced to explain
the phenomenon, but very few examples of anomalous contours
that do not satisfy the above conditions have been reported.
Some years ago it was
reported ( Zanforlin and Vallortigara, 1990) that when two
small white discs (1 cm in diamter) are set on a larger
black disc in slow rotation, the two discs, after some
observation time, will appear as the extremities of a rigid
cylinder displaced in depth. The surface of the cylinder,
under dim illumination, appears as a whitish transparent
surface.
However, when the two
discs are substituted by a circle and a semi-circle ( as: C
O ) of the same size, a clear anomalous contour appears to
form the cylinder, even under clear light conditions and
when the colours are reversed; i.e. black circles on white
disc. The anomalous contours are not apparent when the
configuration is stationary. At that time the two
extremities of the semi-circle were interpreted as a “tendency”
to complete the circle, so that, although mimimal, the
conditions for an anomalous surface were present. I will now
demonstrate how the anomalous contours of a stereokinetic
cylinder can be obtained even without the “interruption”
of the lines in the semicircle.
The relationship
between the anomalous contours of the stereokinetic cylinder
and the vitreous transparency of the surface of the cylinder
formed by the two small discs above mentioned, will be
discussesd as well as their relation to the general theories
of anomalous surfaces.
[References: Zanforlin,
M. Vallortigara, G. (1990) The magic wand: a new
stereokinetic anomalous surface, Perception, 19:
447-457.]
|
| Alf Zimmer |
|
The concept of invariants has been central for
Gestalt psychology as well as for Gibson's Ecological
Psychology. Theoretical discussions about the role
invariants play in perception have been hamperd by different
interpretetations of the concept (see Cutting 1979).
Starting form the notion that visual perception
is always dependent on the interaction of object and
position perception, I show that the ambiguity of Praegnanz
(Kanisza & Luccio) mirrors exactly these complementary
aspects of perception and makes necessary a conception of
invariance which is topological, however, with geometrical
constraints.
|
| Arturo
Carsetti |
|
At the
level of cognitive studies, it appears necessary now to
extend the conditions of predicative activity, as defined by
Quine, by admitting the necessary utilization of certain
abstract concepts in addition to the merely combinatorial
concepts referring to symbols. For this purpose we must
count
as abstract those concepts that do not comprise properties
and relations of concrete objects (the inspectable evidence)
but which are concerned with thought constructions and, in
general, with the articulation of the intellectual tools of
invention and control proper to the human mind.
The
utilization, at the semantic level, of abstract concepts,
the
possibility of referring to the sense of symbols and not
only to their combinatorial properties, the possibility of
picking up the deep information existing in things, the
extended use of functional models within a dynamic
context characterized by the presence of precise forms of
co-evolution, open up new horizons at the level of cognitive
studies.
In the
thirties Goedel suggested that mental procedures might
extend beyond mechanical procedures because there may be
finite, non-mechanical procedures that make use of the
meaning of the terms. He spoke about "the beginnings of
a science which claims to possess a systematic method for
such clarification
of meaning, and that is the phenomenology founded by Husserl"
. With respect to cognitive
science ,Goedel's suggestions constitute now a precise
guideline for the advancement of research. |
|